Mar 22 2010
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Book Reviews
The U2 Reader: A Quarter Century of Commentary, Criticism, and Reviews (Book) A journalist collection – Seth Gale – Arlington, VA USA
Bordowitz does a great job in this reader collecting U2 “clippings” from the beginning of the band through its over 25 years of rising, dominating, declining, but above all, persisting in popular music. The articles really speak for themselves about the excitement of being on the world stage and the adulation and tribulations that come with that. The author does not do much more than really frame each time period of the band’s existence in order to put the articles in accordingly. But I think that was his intention: this is not a direct analysis of U2’s influence on music or pop-culture. That project is left for the reader to endeavor in, but only if they desire.
It is interesting and well worth your time to experience the band in the newspaperist chronology set out before you. We all like to think about U2 at different points in their career and we all have an idea of what “our favorite album” is or when we thought “U2 was making it huge”. And so, its pretty neat to see whether or not the mainstream, worldwide news coverage of the band concurs with your own conclusions about different time periods.
It’s a fun read if you are a U2 fan!
Of the many U2 books on the market, with more to come, it is refreshing to get a sense of historical perspective of the world’s most popular, if not relevant, band.
U2 was not always the most beloved band, especially after its forays into electronica. Even during the early days there were some doubts, hard to believe now, of the band’s durability. The book is worth the price alone for reading Jon Pareles’s early review of U2 from The New York Times. In 1981 he actually wished the band would break up!
This book scans the thoughts and musings of a wide variety of authors from the band’s earliest days to the present. One of the convenient pluses of the book is that, as a compilation, it can be read in bursts or it can be read just sitting down for an afternoon on the beach. Each article short enough to look up to see if the kids are alright and yet engaging enough to say to your wife, “yes dear.”
Few books today really put U2 into this proper context of where they stand in the eyes of the critics. It will appeal to the long time fan still able to recall those early days at the clubs and theaters and also to the newer fan wondering what it was like when they were just starting out but still able to be familiar with the band that is today.
Overall, a timely and needed effort, especially as U2 writes their new album and takes a pause from the last phase of their career. It is also a fun read. Who said history isn’t fun? Hal Leonard: 330970 The first in Hal Leonard’s new series of artist readers, The U2 Reader presents the world’s most popular rock band from battle of the bands beginnings through today, in all of its many facets. Editor and compiler Hank Bordowitz, who Publishers Weekly says “provides evenhanded treatment of highly charged issues” and Library Journal adds “never takes sides or passes judgment, yet brilliantly illuminates … ,” has gathered articles ranging from U2’s first mention in a suburban Dublin newspaper to coverage of the group’s appearance at the Super Bowl.The U2 Reader deals with every aspect of the band from the way they do business to the way their music and lives convey their inherent spirituality. It includes reviews of albums and the live U2 experience, as well as behind-the-scenes looks at the band, including their forays into pop and politics.The book features a who’s who of music journalism, including Dave Marsh (Born to Run, The Heart of Rock and Roll), Bill Flanagan (A and R; Executive Producer of VH-1’s Behind the Music), Jim DeRogatis (Turn On Your Mind, Let It Blurt) and more than a dozen others. Authors not normally associated with music, such as Salman Rushdie, are featured, as are U2 peers such as Moby, Bruce Hornsby and Billy Corgan. A must read for even casual U2 fans! Hank Bordowitz is the author of Bad Moon Rising: The Unofficial History of Creedence Clearwater Revival. He lives in Suffern, New York.John Swenson is the co-editor of The New Rolling Stone Record Guide and the author of The Rolling Stone Jazz Record Guide and the former editor of Crawdaddy! magazine.
The U2 Reader: A Quarter Century of Commentary, Criticism, and Reviews (Book)
Thanks To : Snowboarding Akribos-Xxiv.Ladywatches.Us Learning Disabilities
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